Scary Writers Share the Most Frightening Tales They've Actually Experienced

A Renowned Horror Author

The Summer People by a master of suspense

I read this narrative some time back and it has stayed with me from that moment. The so-called vacationers are the Allisons urban dwellers, who rent an identical remote rural cabin annually. On this occasion, rather than returning to the city, they decide to prolong their vacation a few more weeks – something that seems to unsettle each resident in the surrounding community. Each repeats an identical cryptic advice that not a soul has ever stayed at the lake after Labor Day. Regardless, they are resolved to not leave, and that’s when events begin to get increasingly weird. The individual who brings oil refuses to sell to them. Not a single person agrees to bring food to their home, and at the time the Allisons endeavor to drive into town, the car won’t start. A tempest builds, the energy in the radio diminish, and with the arrival of dusk, “the two old people crowded closely within their rental and waited”. What might be this couple expecting? What could the locals be aware of? Whenever I peruse the writer’s unnerving and inspiring story, I remember that the best horror comes from that which remains hidden.

An Acclaimed Writer

Ringing the Changes from a noted author

In this short story two people journey to an ordinary coastal village where church bells toll the whole time, a constant chiming that is annoying and unexplainable. The initial extremely terrifying moment occurs after dark, as they choose to go for a stroll and they are unable to locate the sea. Sand is present, there is the odor of putrid marine life and brine, waves crash, but the water appears spectral, or a different entity and worse. It is truly profoundly ominous and each occasion I go to a beach at night I remember this story that destroyed the beach in the evening in my view – positively.

The newlyweds – the wife is youthful, the man is mature – go back to the hotel and learn the cause of the ringing, through an extended episode of confinement, necro-orgy and mortality and youth intersects with dance of death pandemonium. It’s an unnerving reflection about longing and deterioration, two people growing old jointly as spouses, the bond and brutality and affection within wedlock.

Not only the most terrifying, but probably a top example of concise narratives available, and a personal favourite. I encountered it en español, in the first edition of these tales to appear in this country several years back.

Catriona Ward

Zombie by an esteemed writer

I delved into this narrative by a pool in the French countryside a few years ago. Despite the sunshine I felt a chill through me. Additionally, I sensed the thrill of excitement. I was working on my third novel, and I encountered an obstacle. I wasn’t sure if there was any good way to write various frightening aspects the book contains. Reading Zombie, I saw that there was a way.

Released decades ago, the novel is a dark flight through the mind of a criminal, the protagonist, modeled after Jeffrey Dahmer, the criminal who slaughtered and cut apart numerous individuals in a city between 1978 and 1991. Notoriously, this person was fixated with creating a submissive individual that would remain with him and attempted numerous horrific efforts to accomplish it.

The acts the story tells are terrible, but equally frightening is its own emotional authenticity. The character’s dreadful, broken reality is plainly told using minimal words, details omitted. The audience is plunged stuck in his mind, compelled to see mental processes and behaviors that shock. The alien nature of his psyche is like a bodily jolt – or finding oneself isolated on a desolate planet. Starting this book is less like reading and more like a physical journey. You are absorbed completely.

Daisy Johnson

A Haunting Novel from Helen Oyeyemi

When I was a child, I sleepwalked and subsequently commenced having night terrors. At one point, the horror included a nightmare where I was trapped within an enclosure and, upon awakening, I discovered that I had removed a part from the window, seeking to leave. That home was crumbling; during heavy rain the entranceway filled with water, insect eggs came down from the roof into the bedroom, and at one time a big rodent ascended the window coverings in my sister’s room.

Once a companion presented me with Helen Oyeyemi’s novel, I had moved out at my family home, but the narrative of the house located on the coastline appeared known to myself, longing as I felt. It’s a novel featuring a possessed noisy, sentimental building and a young woman who eats chalk off the rocks. I adored the story immensely and returned frequently to it, each time discovering {something

Stacey Fields
Stacey Fields

Elara is a published novelist and writing coach with a passion for helping aspiring authors find their unique voice and build engaging stories.